Stephen Crane On Heroism Essays - Stephen Crane,

Stephen Crane On Heroism Crane on Heroism Stephen Crane, an avant-garde writer of his time, forced his readers to look beyond his written words for a more underlined, meaningful moral in most of his stories. Crane follows a strict pattern in most of his work. His subject matter usually deals with the physical, emotional, and intellectual responses of ordinary people confronted by extraordinary, extreme experiences. Fairly common themes are presented in his writing, including fallen humanity and harsh realities; yet all seem to overlap in the category of heroism. Crane, fascinated by the status of a hero, seemed to moralize each story he wrote with a sense of hope. Readers get the impression that you do not have to be super-human to possess super-human abilities, and in return, be a hero. In Cranes A Mystery Of Heroism, the search for the question What is a hero? is explored. Fred Collins, a union soldier in the Civil War, is a simple man. Out of place, Fred is a shameful, childish man thrown into a war that has no place for him. During the course of the story, Collins yearns for a drink of well water located across an active battlefield. Going against all his inhibitions and judgment, and going along with peer pressure, Collins decides to make the suicidal trip. Remarkably, Collins somehow gathers himself together and reaches the well of water, surprising himself in the meantime. Upon arrival at his destination, Collins ponders the miraculous obstacles he overcame and even dubs himself a hero for a moment. But what is a hero? Must one run across a battlefield for a drink to be put in the category of courageous? Is heroism nothing but defying death? Fred Collins evaluates his life at this point to disprove the title he loosely put upon himself: No, it could not be tru e. He was not a hero. Heroes had no shames in their lives an, as for him, he remembered borrowing fifteen dollars from a friend and promising to pay it back the next day, and then avoiding that friend for ten months. When at home his mother had aroused him for the early labor of his life on the farm, it had often been his fashion to be irritable, childish, diabolical, and his mother died since he had come to war. On Collins return to his regiment, he happens across a dying man in need of a drink. In a hopeless act of kindness, Fred lets the wounded soldier drink from his bucket as he passes. Yet this scene is but a small paragraph in the story, it completes the moral and emphasizes Cranes goal of the narrative. Although Fred Collins is but a simple man not free from flaws, he uncovers the mystery of heroism. He is not a hero because he put a title upon himself, or because he denied death the satisfaction. He is a hero in the sense that he did a good thing without trying for that hero title. Yet he might not know it, he was a hero for that one moment in the eyes of the wounded soldier. Crane also shows heroism works in very mysterious ways. In another of Cranes shorts, The Bride Comes To Yellow Sky, the character of Jack Potter is put to the task of proving his heroism as sheriff of his town. As the story opens, the reader is introduced to Jack as a subtle, quiet man. He is on his way to Yellow Sky, Texas riding in a parlor-car with his new wife. Crane purposely does not clue the reader in as to the true identity of Jack Potter in the beginning of the story for the presence of shock value. To find out that this reserved man is a fearless sheriff by day is surprising do to his actions described on his trip: From time to time he looked down respectfully at his attire. He sat with a hand on each knee, like a man waiting in a barber shop. The glances he devoted to other passengers were furtive and shy. As the train grows closer to Yellow Sky, Jack ponders the welcome he will receive. Frightened and worried about mixed reactions from the community in